{"id":10,"date":"2008-09-17T11:34:00","date_gmt":"2008-09-17T11:34:00","guid":{"rendered":"http:\/\/blogs.esamcaen.fr\/design-graphique\/2008\/09\/17\/biblio-design\/"},"modified":"2008-09-17T11:34:00","modified_gmt":"2008-09-17T11:34:00","slug":"biblio-design","status":"publish","type":"post","link":"https:\/\/blogs.esam-c2.fr\/design-graphique\/biblio-design\/","title":{"rendered":"Biblio Design"},"content":{"rendered":"

\/\/\/ Contexte ><\/span><\/span>\u00a0<\/span>R\u00e9aliser d’une base bibliographique sur des cr\u00e9ateurs sous forme de classeur \u00e9volutif, consultable en libre service, destin\u00e9e \u00e0 l’usage des \u00e9tudiants de Design Graphique<\/span><\/span><\/span><\/p>\n


<\/span><\/span><\/div>\n
\/\/\/ Objectifs ><\/span><\/span><\/div>\n
<\/p>\n

. Sensibiliser et d\u00e9velopper son sens de l’investigation<\/span><\/span><\/span><\/p>\n

. Acqu\u00e9rir des r\u00e9f\u00e9rences personnelles > savoir citer des noms de designers, de travaux et expliquer leurs d\u00e9marches<\/span><\/span><\/span><\/p>\n

. Ancrer son travail dans une r\u00e9alit\u00e9 professionnelle<\/span><\/span><\/p>\n

\/\/\/ Organisation ><\/span><\/span>\u00a0<\/span>travail continu, individuel, \u00e0 usage collectif<\/span><\/span><\/p>\n

\/\/\/ Liste non exhaustive :<\/span>\u00a0Jean Antoine, Alessandrini,\u00a0Philippe Apeloig,\u00a0Otl Aicher,\u00a0Atalante,\u00a0Phil Baines,\u00a0Jonathan Barnbrook,\u00a0Michal Batory,\u00a0John Baskerville,\u00a0Saul Bass,\u00a0Ruedi Baur,\u00a0Herbert Bayer,\u00a0Bazooka,\u00a0Morris Fuller Benton,\u00a0Pierre Bernard,\u00a0Max Bill,\u00a0Erik van Blokland,\u00a0Giambattista Bodoni,\u00a0Albert Boton,\u00a0Michel Bouvet,\u00a0Thomas Braichet,\u00a0Neville Brody,\u00a0David Carson,\u00a0Matthew Carter,\u00a0William Caslon,\u00a0Cassandre,\u00a0Chermayeff & Geismar,\u00a0Roman Cieslewicz,\u00a0Paul Cox,\u00a0Deberny & Peignot,\u00a0The Designers Republic,\u00a0Pierre Di Sciullo,\u00a0Firmin Didot,\u00a0Th\u00e9o Va Doesburg,\u00a0Gert Dumbar,\u00a0Tom Eckersley,\u00a0Heinz Edelmann,\u00a0El Roto,\u00a0Emigre,\u00a0Roger Excoffon,\u00a0Pierre Faucheux,\u00a0Eduard Fella,\u00a0Alan Fletcher,\u00a0Pierre Fournier,\u00a0Tina Franck,\u00a0Tobias Frere-Jones,\u00a0Adrian Frutiger,\u00a0Shigeo Fukuda,\u00a0Claude Garamond,\u00a0Karl Gerstner,\u00a0Raymond Gid,\u00a0Eric Gill,\u00a0Frederic Goudy,\u00a0Robert Granjon,\u00a0Grapus,\u00a0Francesco Griffo,\u00a0Ryan McGuiness,\u00a0Johannes Gutenberg,\u00a0Raoul Hausmann,\u00a0John Heartfield,\u00a0Karlgeorg Hoefer,\u00a0Jonathan Hoefler,\u00a0Kim Hiorthoy,\u00a0Marcel Jacno,\u00a0Franck Jalleau,\u00a0Nicolas Jenson,\u00a0Edward Johnston,\u00a0Peter Keller,\u00a0Peter Knapp,\u00a0Akira Kobayashi,\u00a0Rudolf Koch Kopelnitsky,\u00a0Barbara Kruger,\u00a0Jean Larcher,\u00a0Zuzana Licko,\u00a0El Lissitzky,\u00a0Raymond Loewy,\u00a0Herb Lubalin,\u00a0Michel Quarez,\u00a0Alain Le Quernec,\u00a0M\/M,\u00a0John Maeda,\u00a0Vladimir Ma\u00efakovski,\u00a0Ladislas Mandel,\u00a0Alde Manuce,\u00a0Bruce Mau,\u00a0Robert Massin,\u00a0Marshall McLuhan,\u00a0Claude M\u00e9diavilla,\u00a0Hans Eduard Meier,\u00a0Pierre Mendell,\u00a0Jos\u00e9 Mendoza,\u00a0Meta Design,\u00a0Rudi Meyer,\u00a0Max Miedinger,\u00a0Philippe Millot,\u00a0L\u00e1szl\u00f3 Moholy-Nagy,\u00a0Stanley Morison,\u00a0Fran\u00e7ois Morellet,\u00a0William Morris,\u00a0Jose Muller-Brockmann,\u00a0Bruno Munari,\u00a0Nous travaillons ensemble,\u00a0Aldo Novarese,\u00a0Vaughan Oliver,\u00a0Clothilde Olyff,\u00a0Muriel Paris,\u00a0G\u00e9rard Paris-Clavel,\u00a0Charles Peignot,\u00a0Pentagram,\u00a0Peret,\u00a0Loulou Picasso,\u00a0Kiki Picasso,\u00a0Christophe Plantin,\u00a0Plantu,\u00a0Jean-Fran\u00e7ois Porchez,\u00a0Paul Rand,\u00a0Jamie Reid,\u00a0Paul Renner,\u00a0Etienne Robial,\u00a0Jakob Sabon,\u00a0Willem Sandberg,\u00a0Raymond Savignac,\u00a0Peter Saville,\u00a0Paula Scher,\u00a0Carlos Segura,\u00a0Sin\u00e9,\u00a0Robert Slimbach,\u00a0Art Spiegelman,\u00a0Erik Spiekermann,\u00a0Ikko Tanaka,\u00a0Lucille Tenazas,\u00a0Jeremy Tankard,\u00a0Fr\u00e9d\u00e9ric Teschner,\u00a0Osamu Tezuka,\u00a0Henryk Tomaszewski,\u00a0Topor,\u00a0Total Design,\u00a0Jan Tschichold,\u00a0Carol Twombly,\u00a0Gerard Unger,\u00a0Tomi Ungerer,\u00a0Rudy VanderLans,\u00a0James Victore,\u00a0Maximilien Vox,\u00a0Justus Erich Walbaum,\u00a0Chris Ware,\u00a0Fred Woodward,\u00a0John Wozencroft,\u00a0Jean Widmer,\u00a0Willem,\u00a0Hermann Zapf et\u00a0<\/span>Catherine Zask<\/span><\/span><\/p>\n

<\/span><\/div>\n","protected":false},"excerpt":{"rendered":"

\/\/\/ Contexte >\u00a0R\u00e9aliser d’une base bibliographique sur des cr\u00e9ateurs sous forme de classeur \u00e9volutif, consultable en libre service, destin\u00e9e \u00e0 l’usage des \u00e9tudiants de Design Graphique \/\/\/ Objectifs > . Sensibiliser et d\u00e9velopper son sens de l’investigation . Acqu\u00e9rir des … Continuer la lecture →<\/span><\/a><\/p>\n","protected":false},"author":7,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4,5,12],"tags":[],"class_list":["post-10","post","type-post","status-publish","format-standard","hentry","category-dg2","category-exo","category-sem-34"],"yoast_head":"\nBiblio Design - \/\/\/design graphique\/\u00e9sam-c2\/<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/blogs.esam-c2.fr\/design-graphique\/biblio-design\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Biblio Design - \/\/\/design graphique\/\u00e9sam-c2\/\" \/>\n<meta property=\"og:description\" content=\"\/\/\/ Contexte >\u00a0R\u00e9aliser d’une base bibliographique sur des cr\u00e9ateurs sous forme de classeur \u00e9volutif, consultable en libre service, destin\u00e9e \u00e0 l’usage des \u00e9tudiants de Design Graphique \/\/\/ Objectifs > . 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