{"id":125,"date":"2011-08-23T13:13:31","date_gmt":"2011-08-23T13:13:31","guid":{"rendered":"http:\/\/blogs.esamcaen.fr\/design-graphique\/?p=125"},"modified":"2011-11-14T08:47:43","modified_gmt":"2011-11-14T08:47:43","slug":"photomontages-improbables-dalain-weill","status":"publish","type":"post","link":"https:\/\/blogs.esam-c2.fr\/design-graphique\/photomontages-improbables-dalain-weill\/","title":{"rendered":"Photomontages improbables<\/i> d’Alain Weill"},"content":{"rendered":"

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\/\/\/ Pr\u00e9sentation ><\/strong><\/p>\n

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Le gigantesque d\u00e9veloppement de la carte postale contribua \u00e0 populariser la photographie.
\nParmi celles-ci, les cartes fantaisie connurent un \u00e9norme succ\u00e8s.
\nCollages ou photomontages, elles s’adressaient \u00e0 un public citadin qui appr\u00e9ciait les volutes de l’Art nouveau, l’\u00e9rotisme fin de si\u00e8cle et les d\u00e9formations du d\u00e9cor de la ville.
\nLes surr\u00e9alistes les ont ador\u00e9es ou leur ont consacr\u00e9 expositions (au Jeu de Paume) et publications (The Stamp of Fantasy – Steidl).
\nBien loin de cet univers, au coeur de l’Am\u00e9rique agricole profonde, sont apparues d\u00e8s 1908 d’\u00e9tranges images, sign\u00e9es de William Martin, dans le Kansas, qui r\u00e9alise des cartes photographiques d’une incroyable virtuosit\u00e9, ou Alfre et Stanley Johnson, son alter ego dans le Wisconsin.
\nUne imagerie strictement rurale, de fruits et l\u00e9gumes g\u00e9ants, de p\u00eaches miraculeuses de poissons surdimentionn\u00e9s et de chasses o\u00f9 les lapins et les canards sont gigantesques.
\nPleines d’humour, d’une folle imagination, elles ont \u00e9t\u00e9 malgr\u00e9 leur qualit\u00e9, totalement oubli\u00e9es.
\nCe petit ouvrage est l\u00e0 pour r\u00e9parer cette injustice, reproduisant les photomontages de ces pionniers et de leurs nombreux disciples qui font, jusqu’\u00e0 aujourd’hui perdurer le genre.<\/p>\n

Alain Weill<\/p>\n

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 <\/p>\n","protected":false},"excerpt":{"rendered":"

\/\/\/ Pr\u00e9sentation > Le gigantesque d\u00e9veloppement de la carte postale contribua \u00e0 populariser la photographie. Parmi celles-ci, les cartes fantaisie connurent un \u00e9norme succ\u00e8s. Collages ou photomontages, elles s’adressaient \u00e0 un public citadin qui appr\u00e9ciait les volutes de l’Art nouveau, … Continuer la lecture →<\/span><\/a><\/p>\n","protected":false},"author":7,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[30,11,23,25,7,46],"tags":[],"class_list":["post-125","post","type-post","status-publish","format-standard","hentry","category-30","category-biblio","category-com-edition-2","category-divers","category-info","category-photo"],"yoast_head":"\nPhotomontages improbables d'Alain Weill - \/\/\/design graphique\/\u00e9sam-c2\/<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/blogs.esam-c2.fr\/design-graphique\/photomontages-improbables-dalain-weill\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Photomontages improbables d'Alain Weill - \/\/\/design graphique\/\u00e9sam-c2\/\" \/>\n<meta property=\"og:description\" content=\"\/\/\/ Pr\u00e9sentation > Le gigantesque d\u00e9veloppement de la carte postale contribua \u00e0 populariser la photographie. 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