{"id":32,"date":"2008-11-16T16:08:00","date_gmt":"2008-11-16T16:08:00","guid":{"rendered":"http:\/\/blogs.esamcaen.fr\/design-graphique\/2008\/11\/16\/32\/"},"modified":"2008-11-16T16:08:00","modified_gmt":"2008-11-16T16:08:00","slug":"32","status":"publish","type":"post","link":"https:\/\/blogs.esam-c2.fr\/design-graphique\/32\/","title":{"rendered":""},"content":{"rendered":"

\"\"<\/a><\/p>\n

Sch\u00e9ma extrait de <\/span><\/span>Aide au choix de la Typo-graphie<\/span><\/span><\/span> de G\u00e9rard Blanchard aux \u00e9ditons Perrousseaux<\/span><\/span>
<\/span><\/span><\/div>\n
l\u00e9gende originale : \u201cTraits pertinents du signe-lettre \u00e9tablis d’apr\u00e8s la litt\u00e9rature traditionnelle du sujet (pal\u00e9ographique et typographique)\u201d<\/span><\/span><\/div>\n

<\/span><\/span><\/span><\/div>\n
La minuscule Caroline est impos\u00e9e en Europe par Charlemagne, et devient l’\u00e9criture officielle en 789. R\u00e9forme qui profite \u00e0 l’\u00c9glise pour lutter contre l’ignorance du Clerg\u00e9. C’est ce mod\u00e8le d’\u00e9criture qui s’av\u00e8re le pus adapt\u00e9 \u00e0 la formation des lettres bas de casse, aussi il sera le point de d\u00e9part de l’atelier de dessin de caract\u00e8res.<\/span><\/span><\/div>\n

<\/span><\/div>\n
\/\/\/ Lexique ><\/span><\/span><\/div>\n

<\/span><\/span><\/div>\n
Alphabet <\/span><\/span><\/span>: mot form\u00e9 \u00e0 partir du nom des deux premi\u00e8res lettres de l’alphabet ph\u00e9nicien, ALEPH et BETH, qui devinrent ALPHA et BETHA chez les Grecs. Ensemble de lettres servant \u00e0 noter les sons propres \u00e0 une langue et dispos\u00e9es dans un ordre conventionnel.<\/span><\/span><\/div>\n

<\/span><\/span><\/div>\n
Bas de casse <\/span><\/span>: autre nom des lettres minuscules. Partie inf\u00e9rieure de la casse, tiroir compartiment\u00e9 dans lequel sont rang\u00e9es les lettres d’imprimerie. D’un usage plus fr\u00e9quent que les majuscules, les minuscules sont plac\u00e9es dans les cases inf\u00e9rieures pour en faciliter la pr\u00e9hension et \u00e9conomiser les gestes du compositeur.<\/span><\/span><\/div>\n

<\/span><\/span><\/div>\n
Chasse :<\/span><\/span><\/span> encombrement lat\u00e9ral d’une lettre ; un M chasse plus qu’un I.<\/span><\/span><\/div>\n

<\/span><\/span><\/div>\n
Corps :<\/span><\/span><\/span> encombrement vertical des caract\u00e8res typographiques. (…) La taille des caract\u00e8res s’exprime en point Didot en Europe et en points Pica aux \u00c9tats-Unis et en Grande-Bretagne.<\/span><\/span><\/div>\n

<\/span><\/span><\/div>\n
D\u00e9li\u00e9 :<\/span><\/span><\/span> du latin <\/span>delicatus<\/span><\/span>, d\u00e9licat, mince. Partie fine d’une lettre qui contraste avec le plein.<\/span><\/span><\/div>\n

<\/span><\/span><\/div>\n
Ductus <\/span><\/span><\/span>: <\/span><\/span>du latin <\/span>ducere,<\/span><\/span> conduire. Le ductus d\u00e9termine l’ordre et le sens des gestes \u00e0 effectuer pour former les traits qui composent les diff\u00e9rentes parties d’une lettre.<\/span><\/span><\/span><\/div>\n

<\/span><\/span><\/div>\n
Empattement :<\/span><\/span><\/span> terminaison du f\u00fbt de la lettre \u00e0 sa base.<\/span><\/span><\/div>\n

<\/span><\/span><\/div>\n
Hampe :<\/span><\/span><\/span> du latin <\/span>hasta<\/span><\/span>, lance. Trait vertical ou oblique de certaines lettres minuscules descendant sous la ligne d’\u00e9criture. On emploie \u00e9galement les termes \u00ab\u00a0descendante\u00a0\u00bb ou \u00ab\u00a0jambage\u00a0\u00bb.<\/span><\/span><\/div>\n

<\/span><\/span><\/div>\n
\u0152il :<\/span><\/span><\/span> l’\u0153il d’un caract\u00e8re correspond \u00e0 sa partie imprimante, en relief. Appel\u00e9 aussi \u00ab\u00a0hauteur d’x\u00a0\u00bb, l’\u0153il d\u00e9signe la hauteur des minuscules courtes, autrement dit des lettres sans ascendantes ni descendantes.<\/span><\/span><\/div>\n
\u00a0<\/span><\/span><\/div>\n
Extrait du livre de Laurent Pflughaupt Letrres Latines, <\/span>Rencontres avec des formes remarquable<\/span><\/span>s, aux \u00e9ditions Alternatives<\/span><\/span><\/div>\n

<\/span><\/div>\n
\/\/\/ Bibliographie > ouvrages disponibles \u00e0 la biblioth\u00e8que de l’\u00e9cole<\/span><\/span><\/div>\n
<\/div>\n
L’aventure<\/span><\/span><\/span><\/span> des \u00e9critures : naissances<\/span> \/ sous la direction de Anne Zali ; et Annie Berthier (1997)<\/span><\/span><\/span><\/span>\u00a0\u00a0<\/span><\/span>
\u00c9critures : miroir des hommes et des soci\u00e9t\u00e9s<\/span> \/ Ladislas Mandel (1998)<\/span><\/span><\/span><\/span>\u00a0\u00a0<\/span><\/span>
Calligraphie : du signe calligraphi\u00e9 \u00e0 la peinture abstraite<\/span> \/ Claude Mediavilla ; pr\u00e9face Pierre Restany ; et G\u00e9rard Xuriguera (1993)<\/span><\/span><\/span><\/span>\u00a0<\/span><\/span><\/div>\n
Lettres Latines, Rencontres avec es formes remarquables<\/span> \/ Laurent Pflughaupt (2003)
<\/span>Petit manuel de composition typographique<\/span> \/ Muriel Paris (1999)<\/span><\/span><\/span>
Typographie : guide pratiqu<\/span>e \/ Damien Gautier (1998)<\/span><\/span><\/span>
\u00a0<\/span>Encyclop\u00e9die de<\/span><\/span><\/span><\/span> la chose imprim\u00e9e : du papier \u00e0 l’\u00e9cran<\/span> \/ sous la direction de Marc Combier ; et Yvette Pesez ; pr\u00e9face de Fran\u00e7ois Richaudeau (1999)<\/span><\/span><\/span>
Aide au choix typographique\u00a0: cours sup\u00e9rieur<\/span> \/ G\u00e9rard Blanchard (1998)<\/span><\/span><\/span><\/div>\n","protected":false},"excerpt":{"rendered":"

Sch\u00e9ma extrait de Aide au choix de la Typo-graphie de G\u00e9rard Blanchard aux \u00e9ditons Perrousseaux l\u00e9gende originale : \u201cTraits pertinents du signe-lettre \u00e9tablis d’apr\u00e8s la litt\u00e9rature traditionnelle du sujet (pal\u00e9ographique et typographique)\u201d La minuscule Caroline est impos\u00e9e en Europe par … Continuer la lecture →<\/span><\/a><\/p>\n","protected":false},"author":7,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6,4,5],"tags":[],"class_list":["post-32","post","type-post","status-publish","format-standard","hentry","category-6","category-dg2","category-exo"],"yoast_head":"\n- \/\/\/design graphique\/\u00e9sam-c2\/<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/blogs.esam-c2.fr\/design-graphique\/32\/\" \/>\n<meta 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