{"id":3965,"date":"2022-11-16T07:53:00","date_gmt":"2022-11-16T07:53:00","guid":{"rendered":"https:\/\/blogs.esam-c2.fr\/design-graphique\/?p=3965"},"modified":"2022-11-25T07:59:34","modified_gmt":"2022-11-25T07:59:34","slug":"all-the-colors-of-noir","status":"publish","type":"post","link":"https:\/\/blogs.esam-c2.fr\/design-graphique\/all-the-colors-of-noir\/","title":{"rendered":"\u00ab\u00a0All the Colors of Noir\u00a0\u00bb"},"content":{"rendered":"\n

Dans le cadre de l\u2019exposition inter-\u00e9coles \u00e0 l\u2019Alliance Fran\u00e7aise de Bologne<\/a>, avec nos partenaires l\u2019Accademia di Belle Arti<\/a>\u00a0(Bologne), la\u00a0HAW<\/a>(Hambourg),\u00a0La Massana<\/a>\u00a0(Barcelone),\u00a0Kyoto City University of Arts<\/a>\u00a0(Kyoto), les \u00e9tudiant\u00b7es de 3e ann\u00e9e design graphique sont invit\u00e9\u00b7es \u00e0 r\u00e9aliser une image sur le sujet choisi par les enseignant\u00b7es de Bologne, \u00ab\u00a0All the Colors of Noir\u00a0\u00bb. Durant un atelier de 5j, men\u00e9 en anglais par Juliet Bates et Sarah Fouquet, les \u00e9tudiant\u00b7es m\u00e8nent une recherche sur le th\u00e8me du roman noir.<\/p>\n\n\n\n

Le roman noir est un genre du roman policier, et qui avait pour ambition orginelle de rendre compte de la r\u00e9alit\u00e9 sociale des Etats Unis du XIX\u00b0 : crime organis\u00e9 et terreau mafieux, soci\u00e9t\u00e9 clanique, anomie sociale, corruption politique et polici\u00e8re, violences et ins\u00e9curit\u00e9s urbaines. Le roman noir a connu son essor apr\u00e8s la Seconde Guerre mondiale, d\u00e9signant aujourd’hui un roman policier inscrit dans une r\u00e9alit\u00e9 sociale pr\u00e9cise et porteur d’un discours critique, voire contestataire, et sur cette r\u00e9alit\u00e9 sociale, porteur d’une vision \u00ab noire \u00bb du monde. Le roman noir, tout en \u00e9tant un roman d\u00e9tective, se fixe ses propres fronti\u00e8res en s’opposant au roman d’\u00e9nigme car le drame se situe dans un univers moins conventionnel, et moins ludique.<\/em><\/p>\n\n\n\n

Bibliographie, filmographie et webographie non exhaustive :<\/strong><\/p>\n\n\n\n

Articles \u00e0 lire<\/strong><\/p>\n\n\n\n

> \u00ab\u00a0La mort et les morts dans le roman policier\u00a0\u00bb, Franck Thilliez<\/p>\n\n\n\n

\nhttps:\/\/www.cairn.info\/revue-etudes-sur-la-mort-2012-2-page-173.htm\n<\/div><\/figure>\n\n\n\n

> \u00ab\u00a0FEMINISM AND THE FILM NOIR\u00a0\u00bb <\/p>\n\n\n\n

\nhttps:\/\/privilegeoflegendsblog.com\/2015\/10\/07\/feminism-and-the-film-noir\/\n<\/div><\/figure>\n\n\n\n

Polars \u00e0 la radio (\u00e0 \u00e9couter en dessinant)<\/strong><\/p>\n\n\n\n

– Polars au f\u00e9minin https:\/\/www.radiofrance.fr\/franceculture\/podcasts\/serie-polars-au-feminin<\/a><\/p>\n\n\n\n

– Les petits polars du monde https:\/\/www.radiofrance.fr\/franceculture\/podcasts\/serie-les-petits-polars-du-monde<\/a><\/p>\n\n\n\n

Bibliographie \/ Romans Noirs<\/strong><\/p>\n\n\n\n

Am\u00e9ricains
<\/strong>– Novels by Patricia Highsmith, a really excellent writer and who is translated into French: \u00ab Strangers on a Train \u00bb<\/em>, 1950. (Also a Hitchcock film, see Juliet’s collection), The Talented Mr Ripley<\/em>, 1955. (If you\u2019re going to watch the film watch Plein Soleil rather than the newer version, Alain Delon is more convincing than Matt Damon), Ripley\u2019s Game,<\/em>1974. (See also \u00ab L\u2019ami am\u00e9ricain \u00bb, 1977, in my collection, which is a really interesting adaption by Wim Wenders. <\/p>\n\n\n\n

– \u00ab Le Dahlia noir \u00bb, James Ellroy<\/p>\n\n\n\n

– Novels by Raymond Chandler : The Big Sleep<\/em>, 1939. ( Le Grand Sommeil. S<\/em>ee the film in Juliet’s collection), Farewell my Lovely<\/em>, 1940. (Adieu, ma jolie<\/em>), The Lady in the Lake<\/em>, 1943. (La dame du lac<\/em>), The Long Goodbye,<\/em> 1953. (The Long Goodbye<\/em>)<\/p>\n\n\n\n

– \u00ab De sang froid \u00bb, Truman Capote
– \u00ab The Maltese Falcon,<\/em> 1930. (Le faucon maltais. S<\/em>ee the film in Juliet’s collection), Dashiell Hammett
– Novels by James M. Cain: The Postman Always Rings Twice,<\/em> 1934. (Le facteur sonne toujours deux fois<\/em>), Mildred Pierce,<\/em> 1941 (see the film in Juliet’s collection, Mildred Pierce<\/em>, 1945, starring Joan Crawford), Double Indemnity,<\/em> 1943. (Double Indeminiti\u00e9)
– Down There<\/em>, 1956 (made into a film by Francois Truffaut : Tirez sur le pianiste<\/em>, 1960), David Goodis
Canadiens<\/strong>
\u00ab The Blind Assassin \u00bb, (Le tueur aveugle), 2000, Margaret Atwood<\/p>\n\n\n\n

Su\u00e9dois<\/strong><\/p>\n\n\n\n

– \u00ab Les hommes qui n’aimaient pas les femmes \u00bb, Mill\u00e9nium, Stieg Larsson<\/p>\n\n\n\n

– \u00ab Le gardien du phare \u00bb, Camilla L\u00e4ckberg<\/p>\n\n\n\n

– \u00ab Le policier qui rit \u00bb, Maj Sj\u00f6wall et Per Wahl\u00f6\u00f6
– Novels by Henning Mankell<\/p>\n\n\n\n

Danois<\/strong>
– \u00ab Smilla\u2019s Sense of Snow \u00bb, 1992. (Smilla et l\u2019amour de la neige<\/em>, 1992), Peter Hoeg<\/p>\n\n\n\n

Finlandais<\/strong><\/p>\n\n\n\n

– \u00ab Femme de neige \u00bb, Leena Lehtolainen<\/p>\n\n\n\n

Anglais<\/strong><\/p>\n\n\n\n

– \u00ab Rebecca \u00bb<\/em>, 1938 (If you are going to watch the film, do not watch the new version on Netflix, it\u2019s truly terrible, watch the 1940 Hitchcock version which you will find on Youtube.), Daphne Du Maurier<\/p>\n\n\n\n

– \u00ab Ils \u00e9taient dix \u00bb, Agatha Christie<\/p>\n\n\n\n

– \u00ab Le portrait de Dorian Gray \u00bb, Oscar Wilde<\/p>\n\n\n\n

– \u00ab Double assassinat dans la rue morgue \u00bb, Edgar Allan Poe<\/p>\n\n\n\n

Allemands<\/strong><\/p>\n\n\n\n

– \u00ab Le parfum, histoire d’un meurtrier \u00bb, Patrick S\u00fcskind<\/p>\n\n\n\n

– \u00ab Bunker \u00bb, Andrea Maria Schenkel<\/p>\n\n\n\n

Fran\u00e7ais<\/strong><\/p>\n\n\n\n

– \u00ab J’irai cracher sur vos tombes \u00bb, Borid Vian<\/p>\n\n\n\n

– \u00ab L’arm\u00e9e furieuse \u00bb, Fred Vargas<\/p>\n\n\n\n

– \u00ab\u00a0Sombre sentier\u00a0\u00bb, Dominique Manotti<\/p>\n\n\n\n

Italiens<\/strong><\/p>\n\n\n\n

– \u00ab Le chuchoteur \u00bb, Donato Carrisi<\/p>\n\n\n\n

– \u00ab \u00c0 mains nues \u00bb, Paola Barbato<\/p>\n\n\n\n

– \u00ab La faute \u00bb, Laura Grimaldi<\/p>\n\n\n\n

– \u00ab Corps \u00e0 l’\u00e9cart \u00bb, Elisabetta Bucciarelli
– \u00ab Rome noir \u00bb, nouvelles in\u00e9dites de Boosta, Gianrico Carofiglio, Marcello Fois, Cristiana Danila Formetta, Enrico Franceschini, Giuseppe Genna, Maxim Jakubowski, Nicola Lagioia, Carlo Lucarelli, Francesca Mazzucatto, Antonio Pascale, Tommaso Pincio, Evelina Santangelo, Antonio Scurati, Diego de Silva et Nicoletta Vallorani.<\/p>\n\n\n\n

Espagne<\/strong><\/p>\n\n\n\n

– \u00ab Reina Roja \u00bb, Juan G\u00f3mez-Jurado
– les enqu\u00eates de Pepe Carvalho, Manuel V\u00e1zquez Montalb\u00e1n <\/p>\n\n\n\n

Japon<\/strong><\/p>\n\n\n\n

– \u00ab Le diable chuchotait \u00bb, Miyuki Miyabe<\/p>\n\n\n\n

– \u00ab Le vrai monde \u00bb, Natsuo Kirino<\/p>\n\n\n\n

Personnages de romans policiers<\/strong><\/p>\n\n\n\n

– Antonia Scott de \u00ab Reina Roja \u00bb, enqu\u00eatrice matrice madril\u00e8ne, cr\u00e9\u00e9e par Juan G\u00f3mez-Jurado (Espagne)<\/p>\n\n\n\n

– Pepe Carvalho, d\u00e9tective priv\u00e9 \u00e0 Barcelone, cr\u00e9\u00e9 par Manuel V\u00e1zquez Montalb\u00e1n (Espagne)<\/p>\n\n\n\n

– Jane Marple, armchair detective, cr\u00e9\u00e9e par Agatha Christie (Angleterre)<\/p>\n\n\n\n

– Tommy et Tuppence Beresford (\u00ab Associ\u00e9s contre le crime \u00bb), cr\u00e9\u00e9s par Agatha Christie (Angleterre)<\/p>\n\n\n\n

– Hercule Poirot, d\u00e9tective priv\u00e9 belge, cr\u00e9\u00e9 par Agatha Christie <\/p>\n\n\n\n

– Lisbeth Salander de Millenium, Stieg Larsson (Su\u00e8de)<\/p>\n\n\n\n

– Erica Falck de \u00ab La princesse des glaces \u00bb, Camilla L\u00e4ckberg (Su\u00e8de)<\/p>\n\n\n\n

– Kate Fansler, universitaire am\u00e9ricaine, cr\u00e9\u00e9e par Amanda Cross (\u00c9tats-Unis)<\/p>\n\n\n\n

– Hitchcock Sewell, croque-mort am\u00e9ricain, cr\u00e9\u00e9 par Tim Cockey (\u00c9tats-Unis)<\/p>\n\n\n\n

– Isidore Beautrelet, dans L’aiguille creuse, cr\u00e9\u00e9 par Maurice Leblanc (France)<\/p>\n\n\n\n

– Nestor Burma, d\u00e9tective priv\u00e9, cr\u00e9\u00e9 par L\u00e9o Malet (France)
– Mr Iwa (Kookichi Iwanaga), le libraire de La librairie Tanabe, roman japonais de Miyuki Miyabe (Japon)<\/p>\n\n\n\n

\u2014<\/p>\n\n\n\n

Films Noirs<\/strong><\/p>\n\n\n\n

This is a list of films from my collection which will be available for you to watch in the library. Please look after them and make sure you give them back to Roselyn or Catherine once you have finished with them. <\/p>\n\n\n\n

Classic Noir (The Bates Collection)<\/strong><\/p>\n\n\n\n

The Big Sleep,<\/em> 1946 (Howard Hawks)<\/p>\n\n\n\n

The Maltese Falcon,<\/em> 1941 (John Huston)<\/p>\n\n\n\n

Gilda, <\/em>1946 (Charles Vidor)<\/p>\n\n\n\n

Les Enchain\u00e9s (Notorious), <\/em>1946 (Alfred Hitchcock<\/p>\n\n\n\n

L\u2019ombre d\u2019un doute,<\/em> 1943 (Alfred Hitchcock)<\/p>\n\n\n\n

Laura,<\/em> 1944 (Otto Preminger)<\/p>\n\n\n\n

P\u00e9ch\u00e9 Mortel (Leave her to Heaven), <\/em>1945, (John M. Stahl) <\/p>\n\n\n\n

Mildred Pierce,<\/em> 1945 (Michael Curtiz)<\/p>\n\n\n\n

Boulevard du Crepuscule<\/em>, 1950 (Billy Wilder) <\/p>\n\n\n\n

Sueurs Froides, <\/em>1958, ( Alfred Hitchcock)<\/p>\n\n\n\n

L\u2019inconnu du Nord-Express,<\/em> (Strangers on a Train), 1951 (Alfred Hitchcock)<\/p>\n\n\n\n

In a Lonely Place,<\/em> 1950 (Nicholas Ray)<\/p>\n\n\n\n

Touchez pas au grisbi<\/em>, 1954 (Jacques Becker)<\/p>\n\n\n\n

L’assassin habite au 21<\/em>, 1942 (Henri-Georges Clouzot)<\/p>\n\n\n\n

Le corbeau<\/em>, 1943 (Henri-Georges Clouzot)
Les diaboliques, 1955 (Henri-Georges Clouzot)
<\/p>\n\n\n\n

Neo Noir (The Bates Collection)<\/strong><\/p>\n\n\n\n

L\u2019Ami Am\u00e9ricain,<\/em> 1977 (Wim Wenders)<\/p>\n\n\n\n

Le Cercle Rouge<\/em>, 1970 (Jean-Pierre Melville)<\/p>\n\n\n\n

Le Samoura\u00ef,<\/em> 1967 (Jean-Pierre Melville)<\/p>\n\n\n\n

Chinatown,<\/em> 1974 (Roman Polanski)<\/p>\n\n\n\n

Klute,<\/em> 1971 (Alan Pakula)<\/p>\n\n\n\n

And if you need anymore suggestions, here is a link to a very long list: <\/strong>https:\/\/en.wikipedia.org\/wiki\/List_of_neo-noir_films<\/strong><\/a> which includes the following: <\/strong><\/p>\n\n\n\n

Blow-Up,<\/em> 1966 (Antonioni) (always a favourite, with the advantage of it being in the library dvd collection).<\/p>\n\n\n\n

Blow Out,<\/em> 1981 (de Palma) (a nod to Blow-up, starring John Travolta who I usually cannot stand but he\u2019s good in this).<\/p>\n\n\n\n

Taxi Driver,<\/em> 1976 (Scorsese) (also in the library).<\/p>\n\n\n\n

Look at David Lynch, Blue Velvet,<\/em>1986, or Mulholland Drive<\/em>, 2001, which makes references to Gilda (see first page of this list). <\/p>\n","protected":false},"excerpt":{"rendered":"

Dans le cadre de l\u2019exposition inter-\u00e9coles \u00e0 l\u2019Alliance Fran\u00e7aise de Bologne, avec nos partenaires l\u2019Accademia di Belle Arti\u00a0(Bologne), la\u00a0HAW(Hambourg),\u00a0La Massana\u00a0(Barcelone),\u00a0Kyoto City University of Arts\u00a0(Kyoto), les \u00e9tudiant\u00b7es de 3e ann\u00e9e design graphique sont invit\u00e9\u00b7es \u00e0 r\u00e9aliser une image sur le sujet … Continuer la lecture →<\/span><\/a><\/p>\n","protected":false},"author":7,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-3965","post","type-post","status-publish","format-standard","hentry","category-non-classe"],"yoast_head":"\n"All the Colors of Noir" - \/\/\/design graphique\/\u00e9sam-c2\/<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/blogs.esam-c2.fr\/design-graphique\/all-the-colors-of-noir\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\""All the Colors of Noir" - 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