{"id":580,"date":"2011-06-15T18:13:54","date_gmt":"2011-06-15T18:13:54","guid":{"rendered":"http:\/\/blogs.esamcaen.fr\/design-graphique\/?p=580"},"modified":"2011-09-05T18:28:44","modified_gmt":"2011-09-05T18:28:44","slug":"futura","status":"publish","type":"post","link":"https:\/\/blogs.esam-c2.fr\/design-graphique\/futura\/","title":{"rendered":"Futura"},"content":{"rendered":"

\/\/\/ L’origine du livre ><\/strong><\/p>\n

Cr\u00e9\u00e9 par l\u2019artiste et typographe allemand Paul Renner, le Futura, \u00ab\u00a0caract\u00e8re de notre temps\u00a0\u00bb, b\u00e9n\u00e9ficie d\u00e8s sa publication, en 1927, d\u2019un succ\u00e8s commercial sans pr\u00e9c\u00e9dent. Jan Tschichold et Kurt Schwitters l\u2019emploient largement durant les ann\u00e9es 1930. Diffus\u00e9 sous l\u2019appellation \u00ab\u00a0Europe\u00a0\u00bb en France, il inspire Cassandre dans sa recherche d\u2019une nouvelle \u00e9criture. Depuis lors, Volkswagen, la Nasa, Stanley Kubrick et Barbara Kruger, Ikea et Canal+ en ont fait un usage marquant.
\nLe Futura a connu un regain d\u2019int\u00e9r\u00eat ces derni\u00e8res ann\u00e9es, notamment dans les identit\u00e9s graphiques de la Seattle Public Library (Bruce Mau), de la Barbican Gallery \u00e0 Londres (Cartlidge Levene et le Studio Myerscough), ou encore du mus\u00e9e du Jeu de Paume (Change is Good).
\n\u00c0 travers plus de 400 documents rares et in\u00e9dits, ce livre retrace l\u2019histoire et les utilisations les plus int\u00e9ressantes du Futura et nous plonge dans l\u2019univers de la lettre en d\u00e9voilant ses enjeux culturels et sociaux.<\/p>\n

\"\"<\/a>

couverture du livre aux \u00e9ditions Norma<\/p><\/div>\n

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\u2014
\nAlexandre Dumas de Rauly <\/a>est graphiste, titulaire d\u2019un DNSEP en communication (ESA Cambrai, 2009), obtenu avec les f\u00e9licitations du jury pour ses recherches sur le Futura et les caract\u00e8res utopiques.<\/p>\n

Michel Wlassikoff, historien, dipl\u00f4m\u00e9 de l\u2019\u00c9cole des hautes \u00e9tudes en sciences sociales (EHESS), a dirig\u00e9 Signes,<\/em> revue consacr\u00e9e au graphisme. Auteur de nombreux articles et d\u2019ouvrages, notamment Histoire du graphisme en France,<\/em> Carr\u00e9\/Les Arts D\u00e9coratifs, 2005, il enseigne l\u2019histoire du graphisme \u00e0 l\u2019ESA Cambrai, l\u2019\u00e9cole Estienne et l\u2019ESAG Penninghen.<\/p>\n

http:\/\/www.editions-norma.com\/<\/a><\/p>\n

dossier de presse de l’exposition de la Galerie Anatome<\/a><\/p>\n

galerie sur pixelcr\u00e9ation<\/a><\/p>\n

 <\/p>\n

\/\/\/ Quelques pages ><\/strong><\/p>\n

\"\"<\/a>

Paul Rand, couvertures de la collection \u00ab The Documents of Modern Art \u00bb, publi\u00e9e par le Museum of Modern Art, 1944-1950<\/p><\/div>\n

\"\"<\/a>

Sp\u00e9cimen du Futura, fonderie Bauer, vers 1955<\/p><\/div>\n

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double page du livre<\/p><\/div>\n

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double page du livre<\/p><\/div>\n","protected":false},"excerpt":{"rendered":"

\/\/\/ L’origine du livre > Cr\u00e9\u00e9 par l\u2019artiste et typographe allemand Paul Renner, le Futura, \u00ab\u00a0caract\u00e8re de notre temps\u00a0\u00bb, b\u00e9n\u00e9ficie d\u00e8s sa publication, en 1927, d\u2019un succ\u00e8s commercial sans pr\u00e9c\u00e9dent. Jan Tschichold et Kurt Schwitters l\u2019emploient largement durant les ann\u00e9es … Continuer la lecture →<\/span><\/a><\/p>\n","protected":false},"author":7,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[30,44,11,23,15,28],"tags":[],"class_list":["post-580","post","type-post","status-publish","format-standard","hentry","category-30","category-actu","category-biblio","category-com-edition-2","category-dg","category-tie"],"yoast_head":"\nFutura - \/\/\/design graphique\/\u00e9sam-c2\/<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/blogs.esam-c2.fr\/design-graphique\/futura\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Futura - \/\/\/design graphique\/\u00e9sam-c2\/\" \/>\n<meta property=\"og:description\" content=\"\/\/\/ L’origine du livre > Cr\u00e9\u00e9 par l\u2019artiste et typographe allemand Paul Renner, le Futura, \u00ab\u00a0caract\u00e8re de notre temps\u00a0\u00bb, b\u00e9n\u00e9ficie d\u00e8s sa publication, en 1927, d\u2019un succ\u00e8s commercial sans pr\u00e9c\u00e9dent. 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